Digital and Other Virtualities: Renegotiating the Image...

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Digital and Other Virtualities: Renegotiating the Image (New Encounters: Arts, Cultures, Concepts)

Griselda Pollock, Anthony Bryant

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ক্যাটাগোরিগুলো:

Arts - History & Criticism

সাল:

2010

প্রকাশক:

I. B. Tauris

ভাষা:

english

পৃষ্ঠা:

321

ISBN 10:

1845115686

ISBN 13:

9781845115685

বইয়ের সিরিজ:

New Encounters: Arts, Cultures, Concepts

ফাইল:

PDF, 4.24 MB

IPFS:

,

english, 2010

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আপনি আগ্রহী হতে পারেন

Institute of Contemporary Art — Robert Rauschenberg: Graphic Art

Raluca Bibiri (ed.) — Griselda Pollock, From Feminism To The Concentrationary And Beyond

Linda Nochlin — Women, art, and power and other essays

Nochlin, Linda — The politics of vision: essays on nineteenth - century art and society

Linda Nochlin — Style and Civilization

Mark B. N. Hansen — Bodies in Code: Interfaces with Digital Media

Griselda Pollock — Julia Kristeva 1966–96: Aesthetics politics ethics (Parallax, Issue 8 July–September 1998)

Oliver Grau — Virtual art: from illusion to immersion

Frank Popper — From Technological to Virtual Art

John Onians — Neuroarthistory : from Aristotle and Pliny to Baxandall and Zeki

Griselda Pollock — Vision and Difference: Feminism, Femininity and the Histories of Art

Linda Nochlin — Representing Women

Christiane Paul — World of Art: Digital Art

Rozsika Parker — The Subversive Stitch

Laurie McRobert — Char Davies's Immersive Virtual Art and the Essence of Spatiality

Mira Schor — Wet: On Painting, Feminism, and Art Culture

Pollock, Griselda;Silverman, Maxim — Concentrationary cinema: aesthetics as political resistance in Alain Resnais's Night and Fog (1955)

Chris Meigh-Andrews — A History of Video Art

Norman Bryson — Looking at the Overlooked: Four Essays on Still Life Painting

Christiane Paul — A Companion to Digital Art

Griselda Pollock — Differencing the Canon: Feminism and the Writing of Art’s Histories

Griselda Pollock — Vision and Difference: Feminism, Femininity and Histories of Art

Bracha L. Ettinger, Griselda Pollock — Matrixial Subjectivity, Aesthetics, Ethics: Vol 1 1990–2000

Valerie Mainz (editor), Griselda Pollock (editor) — Work and the Image: Volume 1: Work, Craft and Labour - Visual Representations in Changing Histories

Valerie Mainz (editor), Griselda Pollock (editor) — Work and the Image: Volume 2: Work in Modern Times - Visual Mediations and Social Processes

Griselda Pollock — Psychoanalysis and the Image: Transdisciplinary Perspectives (New Interventions in Art History)

Griselda Pollock, Joyce Zemans — Museums After Modernism (New Interventions in Art History)

Beryl Graham (ed.) — New Collecting: Exhibiting and Audiences after New Media Art

Griselda Pollock, Victoria Turvey-Sauron — The Sacred and the Feminine: Imagination and Sexual Difference

Jakub Zdebik — Deleuze And The Map-Image: Aesthetics, Information, Code, And Digital Art

Pollock, Griselda — Visual politics of psychoanalysis : art and the image in post-traumatic cultures

Rozsika Parker, Griselda Pollock — Old Mistresses: Women, Art and Ideology

Griselda Pollock, Max Silverman — Concentrationary Imaginaries: Tracing Totalitarian Violence in Popular Culture

Anna Bentkowska-Kafel, Trish Cashen, Hazel Gardiner — Digital Art History

Turvey Sauron, Victoria; Pollock, Griselda — The sacred and the feminine : imagination and sexual difference

Griselda Pollock — Conceptual Odysseys: Passages to Cultural Analysis (New Encounters: Arts, Cultures, Concepts)

Vanessa Corby — Eva Hesse: Longing, Belonging and Displacement (New Encounters: Arts, Cultures, Concepts)

Griselda Pollock, Victoria Anderson — Bluebeard's Legacy: Death and Secrets from Bartok to Hitchcock (New Encounters: Arts, Cultures, Concepts)

Catherine Elwes — Video Art: A Guided Tour

Karina Jakubowicz — An Analysis of Griselda Pollock's Vision and Difference: Feminism, Femininity and the Histories of Art

Johannes Fromme, Alexander Unger (auth.), Johannes Fromme, Alexander Unger (eds.) — Computer Games and New Media Cultures: A Handbook of Digital Games Studies

Felicity Colman — Film Theory: Creating a Cinematic Grammar

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